Amazon.com ReviewFrom the opening line of his breakthrough cyberpunk novel Snow Crash, Neal Stephenson plunges the reader into a not-too-distant future. It is a world where the Mafia controls pizza delivery, the United States exists as a patchwork of corporate-franchise city-states, and the Internet--incarnate as the Metaverse--looks something like last year's hype would lead you to believe it should. Enter Hiro Protagonist--hacker, samurai swordsman, and pizza-delivery driver. When his best friend fries his brain on a new designer drug called Snow Crash and his beautiful, brainy ex-girlfriend asks for his help, what's a guy with a name like that to do? He rushes to the rescue. A breakneck-paced 21st-century novel, Snow Crash interweaves everything from Sumerian myth to visions of a postmodern civilization on the brink of collapse. Faster than the speed of television and a whole lot more fun, Snow Crash is the portrayal of a future that is bizarre enough to be plausible. From Publishers WeeklyIn California of the near future, when the U.S. is only a "Burbclave" (city-state), the Mafia is just another franchise chain (CosaNostrastet Pizza, Incorporated) and there are no laws to speak of, Hiro Protagonist follows clues from the Bible, ancient Sumer and high technology to help thwart an attempt to take control of civilization--such as it is. When he logs on to Metaverse, an imaginary place entered via computer, Hiro encounters Juanita Marquez, a "radical" Catholic and computer whiz. She warns him off Snow Crash (a street drug named for computer failure) and gives him a file labeled Babel (as in Tower of Babel). Another friend, sp ok/pk Da5id, who ignores Juanita's warning, computer crashes out of Metaverse into the real world, where he physically collapses. Hiro, Juanita, Y.T. (a freewheeling, skateboard-riding courier) and sundry other Burbclave and franchise power figures see some action on the way to finding out who is behind this bizarre "drug" with ancient roots. Although Stephenson ( Zodiac ) provides more Sumerian culture than the story strictly needs (alternating intense activity with scholarship breaks), his imaginative juxtaposition of ancient and futuristic detail could make this a cult favorite. Copyright 1992 Reed Business Information, Inc.
In Neal Stephenson's "Snow Crash," Deliverator Hiro Protagonist gets entangled in a conspiracy involving a mind-altering virus spread through both computer code and a real-world drug. Teaming up with skater-girl Y.T., they navigate a dystopian world of virtual reality, powerful corporations, and ancient myths to save humanity from informational and physical enslavement.
Read "Snow Crash" to:
A: Snow Crash refers to both a physical state (the white noise on a screen) and a metaphorical concept: the breakdown of order and the collapse of reality, the term reflects the chaotic and destructive nature of the virus at the center of the story.
A: The novel critiques consumerism, corporate power, religious extremism, social inequality, and the loss of individual agency. The franchising is all about the promotion of certain ethnic and cultural identities forged together into a functional whole.
A: It suggests that true understanding and freedom require critical thinking, creativity, and a willingness to challenge established power structures.
The book is targeted towards readers interested in science fiction, cyberpunk, and speculative fiction. It appeals to those who enjoy complex narratives, intricate world-building, and explorations of philosophical and technological themes. The target audience includes individuals fascinated by the potential impacts of virtual reality, digital communication, and globalization on society. Readers with an interest in computer science, linguistics, history, and mythology will find the book particularly engaging. Additionally, the book attracts those who appreciate thought-provoking social commentary and dystopian settings.
Published in 1992, "Snow Crash" emerged during a period of significant technological advancement and cultural shift. The early 1990s marked the rise of the internet and personal computing, setting the stage for Stephenson's exploration of virtual reality and digital communication. The book reflects anxieties and fascinations surrounding the increasing influence of technology on society, mirroring the cyberpunk genre's broader commentary on corporate power, social fragmentation, and the blurring lines between the real and the virtual. The end of the Cold War also influenced the book's themes, with Stephenson depicting a fragmented United States where corporate entities replace governmental authority, a nod to the shifting geopolitical landscape of the time.